Showing posts with label Fiction. Show all posts
Showing posts with label Fiction. Show all posts

Peyton Place by Grace Metalious (1956)

Absolutely fascinating reading.
 First published in 1956 and still shocking, this book has it all: incest, murder, thinly veiled homosexuality, overbearing mothers, illegal abortions, people getting their arms ripped off in a funhouse. (Yeah, you heard me.)

The writing is actually much better than I expected and dang if she doesn't get small towns and the gossip so right. I love how the narrative just goes from door to door, from character to character. 

The book is also pretty fascinating as a piece of racial history. There's a lot of the casual use of the n-word, and there's a very strange scene where the doctor, a curmudgeon but still sort of a hero, tells a pretty foul racist joke, and it made me wonder--what would it be like if that section was excised altogether? What is more important, the integrity of the original narrative, or making a novel palatable to modern sensibilities?

I think this would be a fabulous book for book clubs to discuss--particularly as it's coming up on its 60th anniversary.

Thank You, Goodnight: A Novel by Andy Abramowitz (2015)

Teddy Tremble was the singer of a band that had a one-hit wonder in the 1990s. Almost forty, he's settling into life as a lawyer when he gets a call from old friend, which brings him to a small town in Switzerland. And guess what? His band is HUGE among a quirky group of young people in this town, which rekindles his love for creating music. 

I love the way Abramowitz writes about making music--it's so wonderfully evocative. His voice is also tremendously funny and has a great turn of phrase. It's one of those novels that you want to read aloud to anyone who will listen. Unexpected and lovely fun.

The Perfect Fit by Louise Kean (2007)

Subtitled "Fat-Free Dreams Just Don't Taste the Same", I picked this up at my favorite junk shop (Practical Collectables and Antiques) in Two Harbors. 

We meet Sunny Weston after she has shed a good amount of weight and is taking up with her longtime work crush who finally notices her. But guess what? Things are not everything she thought they would be when she was thin. Then, she meets a mysterious man (while saving a child from kidnapping). 

The story is not the point here, nor is the romantic relationship or the characters. What's fascinating about this book is Sunny's own relationship with her body and her weight loss. This is some of the best writing I've ever read on a woman's relationship with her body and her weight. Fascinating. It's unsurprising that the author used her own weight loss as inspiration for this novel--her story is so incredibly well-told and authentic.

Day Four by Sarah Lotz (2015)

Chilling horror(ish) tale about a cruise that goes terribly wrong. The ship stops moving, the plumbing stops functioning, the power is sporadic and all goes to heck. But is there something more than simply ship malfunction at fault? 

A racial and culturally diverse cast of characters include a famous psychic, the blogger determined to debunk her work, two old ladies determined to end it all on the ship, and the cruise ship employees with their own mega-dramas. Suspenseful, atmospheric and beautifully constructed. 

Day Four reminded me of Stephen King (high praise), particularly his novels that focus on humanity's last stand such as The Stand and The Mist. Great summer fun that will make you want to never, ever take a cruise.

My Sunshine Away by M.O. Walsh (2015)

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Engaging novel about a man looking back at his youth and a traumatic event that occurred to his beloved neighbor girl, and how he became a suspect. 

Walsh does a gorgeous job of encapsulating what it's like to be a child and have limited information and also to look back as an adult and see what you missed. 

Lovely, lyrical (but not in love with itself) writing.

Oh! You Pretty Things by Shanna Mahin (2015)

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Jess is third-generation Hollywood and deeply immersed in the culture, from her failed actress/stage mother to her friends in the industry. She gets a job as a personal assistant to an agoraphobic composer, then gets stolen away by an A-list actress, who is also best friend to one of her best friends. 

I love all the wit in this novel--I love Jess's sense of humor. This is one of those novels where I could quote my favorite lines on about every page. The plot itself is less compelling, with a romantic prospect that keeps popping up in the unlikeliest places, and a seriousness that comes out of left field at the end. But the characters are great, the friendships are realistic and truthful, and it was delightful summer reading.

Because I can't recreate the entire book, here's a tiny bit is from when Jess is working as a barista:
"I consider charging him an extra dollar because he made me strain to hear the word "coconut," but I've already hit my limit on groundless irritation for the day." (p. 4)
Groundless irritation!  Love it!

The Voices by F.R. Tallis (2014)

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Really interesting haunted house novel, set in the 1970s in London, about a composer, his wife, and their young daughter, who move to a stately home in Hampstead Heath where they start to hear mysterious voices. The wife hears them through the baby monitor, he picks up voices through his recording equipment. This starts them on a mysterious journey of finding out who may have lived in the house and where the voices came from. 

It's hard to say anything else without spoiling the mystery, so I'm not going to. Quite suspenseful and chilling, and extremely atmospheric. Surprising and haunting.

Hugo & Rose by Bridget Foley (2015)

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Rose has been having the same dream every night since she was a child, about a beautiful island and adventures she shares with Hugo. As a married mother of three, her life changes irrevocably when she sees a man working at a fast food restaurant who looks just like Hugo, and who recognizes her as well.  

Fascinating blend of fantasy and realistic fiction that reminded me of the British movie Paperhouse. Intriguing and original, and perfect for anyone who ever woke up from a dream and wanted to get right back into it.

Scrumptious by Amanda Usen (2011)

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Pretty adorable romance novel about a chef and the hotshot new chef that her friend hires to come in and fix her ailing restaurant. 

There's a less interesting subplot about someone sabotaging the restaurant, but the romance itself is pretty adorable. It's fun to read a romance about grown-ups--two people who aren't afraid to get busy, but aren't so sure about commitment. Good characters, well-done and spicy sex scenes.

A Spool of Blue Thread by Anne Tyler (2015)

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I love reading a book by an author whose work I've loved so in the past. I've not really fallen in love with a Tyler book since The Amateur Marriage (have I even read her others?)  But this one? I love the characters and the complicated family and marital relationships. Just loved. Oh, I'm moving my rating up to love.

One more thing I loved--insights like this:
 "One thing that parents of problem children never said aloud: it was a relief when the children turned out okay, but then what were the parents supposed to do with the anger they'd felt all those years?' (p. 157)
"You wake in the morning, you're feeling fine, but all at once you think, "Something's not right. Something's off somewhere; what is it?" And then you remember that it's your child--whichever one is unhappy." (p. 160)

Single, Carefree, Mellow by Katherine Heiny (2015)

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It's been a while since a collection of short stories has grabbed me as much as this collection did.  

Fabulous characters and really interesting meditations on the nature of love and infidelity and unrequited love and inappropriate relationships. Amazingly insightful and funny to boot.

Us by David Nicholls (2014)

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David Nicholls is quickly turning into an Author I Adore. I loved his One Day (book AND surprisingly well-done movie) as well as The Understudy, so I was looking forward to his newest novel.

Us is about Connie and Dan, a long-married couple whose son is graduating. They have a Grand Tour planned when Connie tells Douglas that she doesn't want to be married anymore. But they go on the trip anyway, and, unsurprisingly, things go awry. A lovely meditation on marriage and love, featuring flawed characters and realistic situations.  Nicholls has such wonderful insights into emotion and love, and he has such marvelous, humorous turns of phrase. Like:
"Other people's sex lives are a little like other people's holidays: you're glad they had fun but you weren't there and don't necessarily want to see the photos. At our age too much detail leads to a certain amount of mental whistling and staring at shoes, and there's also the problem of vocabulary. Scientific terms, though clinically accurate, don't really convey the heady dark intensity, etc., etc. and I'd like to avoid simile of metaphor -- valley, orchid, garden, that kind of thing. Certainly I have no intention of using a whole load of swear words. So I won't go into detail, except to say that it worked out pretty well for all concerned, with that pleasant sense of self-satisfaction, as if we'd discovered that we were still capable of performing a forward roll. Afterwards we lay in a tangle of limbs." (p. 71)

Together Tea by Marjan Kamali (2013)


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Together Tea is the story of Darya, who immigrated from Iran after the Islamic Revolution with her husband Parviz and her daughter Mina. As the book begins, we see that Darya is working hard to find the perfect husband for Mina, who is in business school but longs to be an artist. Mother and daughter take a trip back to Iran to visit family and friends.

The book sort of wanders around in time and perspective, from the present day to the past in Iran, and I kept getting Darya and Mina confused for some reason, but the background of the Iranian immigrants was fascinating. The amazing story and pride of the Persian people in their heritage and the enormous upheaval is a fascinating story. I loved the characters as well, particularly the father, who speaks primarily from his study of motivational speaking tapes, and the feisty Bita, Mina’s childhood friend. I also loved the look at the culture, the roopoosh, the tarof. So fascinating. Plus, a little bit clever and witty. 
“They were playing the Persian game of tarof, a verbal tradition stressing exaggerated politeness and formality in interactions, a ritual filled with flowery flattery, endless displays of respect for the other, dramatic self-effacement, and indirect answers to unnecessary questions. Darya and Baba relished this communicative art, through Mina had spent years resisting it.” (p. 20)
“Mina had the germ of an idea: If she went back to Iran, she could figure out what her family had been, what they’d lost, what they’d gained. She could expel this sense of never belonging, feeling lost. She could “find herself,” like every character in every book she’d ever read about immigrants going back to the homeland.” (p. 59)
“Mina knew how to study and work very hard. She knew how to swing her legs on that hyphen, and on that hyphen she would stay, carrying memories of the one place from which she had come and the other place in which she must succeed. The hyphen was hers--a space small, potentially precarious. On the hyphen she would sit and on the hyphen she would stand and soon, like a seasoned acrobat, she would balance there perfectly, never falling, ever choosing either side over the other, content with walking that thin line.” (p. 67)

The Book of Unknown Americans by Cristina Henriquez (2014)


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This is a perfectly lovely book, totally readable and compelling, about a family that moves from Mexico to Delaware to bring their brain-injured daughter to a good school. They move into an apartment building that houses a variety of immigrants from other countries, and develop close ties to a Panamanian family. That is, the young Panamanian boy falls in love with Maribel, and deals with his own issues of being an immigrant.

A fascinating look at the immediate effects of immigrating--when poverty is a huge part of the picture. The shabby apartment that they live in, compared to their beautiful home back in Mexico, to coming to a country and not knowing any English at all, to shopping for food from the gas station because they don’t know where to go, to job hunting when you don’t have legal papers or know the language. At the same time, there’s a beautiful community that emerges in this apartment building among all of the immigrants, despite them coming from many different countries. Beautiful look at the hard truth of a tough immigrant experience. 

And I LOVE that Henriquez intersperses personal stories of each immigrant (in the apartment building) within the narrative. So each character, even a minor supporting character we see only a few times, gets their chance to share their story. So lovely, and when you get to the very last story … ah. Just lovely.

Henriquez says about this novel:
“This book was inspired by my father, who came to the United States from Panama in 1971 to go to college, and who has been here ever since. He’s made a life here, he’s become a citizen, and even though his story isn’t dramatic or spectacular, it’s important for the simple reason that it exists at all.”
Some other quotes that I loved:
“They found other places to live. Places like Delaware. It’s cheaper than Pennsylvania. And no sales tax. We have all the Spanish supermarkets now, and the school district started those English programs. I know some people here think we’re trying to take over, but we just want to be a part of it. We want to have our stake. This is our home, too.
"I like it here. I started off as the manager, but now I own this building. Bought it out almost ten years ago after working jobs on the side, saving up. I got a good deal. The area is changing, though. A clash of cultures. I try to make this building like an island for all of us washed-ashore refugees. A safe harbor. I don’t let anyone mess with me. If people want to tell me to go home, I just turn to them and smile politely and say, I’m already there.” (p. 146)
“The only reason I’d come was because my dad thought he might need a translator. I told him, “You use English every day.” But my dad had argued that he didn’t know the language of cars. To him, everything had its own language--the language of breakfast, the language of business, the language of politics, and on and on. In Spanish he knew all the languages, for as long as he’d been speaking English, he believe he knew it was only in certain realms. He never talked about cars with anyone in English, he said. Therefore, he didn’t know the language. It was no use explaining to him that I didn’t exactly spend my days talking about cars with people, either. To him, I knew all the languages of English the way he did those of Spanish. And as proud as he was that I was so good at one, I think he was also ashamed that I wasn’t better at the other.” (p. 161)
And so much so:
“Maybe it’s the instinct of every immigrant, born of necessity or of longing: Someplace else will be better than here. And the condition: if only I can get to that place.” (p. 286)

An Untamed State by Roxane Gay (2014)


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This is an utterly mesmerizing story, both very harsh and violent, but very character-driven as well. Mirelle, the child of Haitian immigrants, lives in Miami with her husband and child. Her parents have moved back to their homeland of Haiti. Mirelle is visiting her parents there and heads out one morning to the beach with her husband and son when she is kidnapped and held for ransom.

She is unbelievably brutally treated (though it’s never depicted in an exploitative way, and Gay realistically depicts the many, varied reactions to rape and abuse). After thirteen days she is freed, but her troubles are far from over. She must figure out how to heal, how to forgive her family and how to move on with her life. 

The beautiful thing about this book is how Gay depicts Mirelle’s internal struggle and her memories of her childhood, meeting her husband, and having her child as she is held captive. It’s beautifully interwoven and provides a respite from the grim reality of her situation. And I love a book that shows how people move on from tragedy. I also love that Mirelle is not a saint, not the most sympathetic character, as she describes herself as someone who is hard to love. And I love the complex relationship between her and her in-laws, and the very casual depiction of an interracial marriage. It even encompasses the earthquake that rocks Haiti. So beautifully done.
“The man sneered at me, called me dyaspora with the resentment those Haitians who cannot leave hold for those of us who can.” (p. 6)
“There are three Haitis--the country Americans know and the country Haitans know and the country I thought I knew.” (p. 11)
And Gay says of herself:
“I was born in Omaha, Nebraska. I am a first generation American. My parents emigrated from Haiti quite some time ago but they instilled in my brothers and I a profound cultural identity and they’ve since returned to the island on a part time basis.”

A Replacement Life by Boris Fishman (2014)


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Marvelously, lyrically written novel about Slava, who gets involved in writing false restitution claims to the German government for his grandfather and his grandfather’s friends. Slava works at Century magazine (read: The New Yorker) and longs for a byline of his own. In the interim, he gets involved with the restitution claims, and his somewhat rocky relationship with his grandfather (and family). The family emigrated from Russia and many of the restitution claims are from happenings in the Minsk ghetto.

Immigrant issues are in these characters’ heads each and every day. Amazingly rich characters. Amazingly lyrical writing, the kind you want to linger over. His grandmother passes away as the book begins and Slava is haunted by not knowing what she went through in the war, and his family will not tell him. His grandfather is amazing character--a grafter, a “child of other people’s gardens.” Among many great quotes: 
“Our great realizations are slow dishes, but once they’re ready, they announce themselves as suddenly as an oven timer.” (p. 10) 
In the interim, he begins an affair with his cubicle mate, fact checker Arianna, and has a short dalliance with Vera, another granddaughter of immigrants. There’s a fascinating short vignette with Vera and her friends at a party where they are embracing their heritage fully, with music and speaking Russian and vodka. 

Another lovely quote from grandfather: 
“I’m an old camel now, but back then, sparks flew from my feet when I walked--you could light a cigarette if you wanted. I was known in the neighborhood.” (p. 213)
From the acknowledgements:
“My first thanks are to my grandmother. She really was better than all of us. Then to my grandfather. A friend of mine once said, “You’re smarter than him, you’re more enlightened than him. But both of us can fit inside his left nut. Hard to argue.”
Boris Fishman was born in Belarus and immigrated to the United States at the age of nine. And yes, his work has appeared in the New Yorker.

Prayers for the Stolen by Jennifer Clement (2014)


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Ladydi and her friends are uglied up by their mothers to avoid being stolen by drug traffickers. They also hide in holes in the ground (like rabbits) when the Escalades come roaring through their rural area.

Narrated by Ladydi, this is an incredibly vivid portrayal of life in a small village in Mexico. Where some of the other books in this genre illustrate their culture with food and music, life in Prayers by the Stolen seems defined by the physical landscape, the bugs, the jungle. There’s a lovely scene where Ladydi is thinking about the African children she sees on television, with flies eating the children’s tears and thinks about how a mother’s job is to brush the flies away from her children’s tears.

How this relates to immigration is that Ladydi’s father left for “over there” and that is all they refer to it as. It’s an everyday part of their lives, but not seen as a great accomplishment. Their community is mostly women, because the men have all gone “over there”--some who visit and send money home, some who acquire whole new families (such as Ladydi’s father).

It’s a fascinating story--beautifully and sparely told. Plus, I also love that the cover and the images are designed by Hispanic women artists. Yay! Jennifer Clement was born in Connecticut but moved to Mexico when she was just one. She lives in Mexico City and is the president of PEN Mexico.

Family Life by Akhil Sharma (2014)


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This novel begins in 1978, with Ajay, his older brother Birju and their mother leaving Delhi to join their father in America. America seems like a land of wonder and opportunity A tragic accident strikes, leaving one brother incapacitated, and the other practically orphaned in this strange land.

Lovely writing, wonderfully readable. I loved the Ajay’s voice, and his strangely profound childish insights. Fascinating insights into immigrant community life in America (the temples, the healers, the requests for blessings), interesting insight into what it’s like to care for an infirm family member for so long, and growing up as a bit of an oddball. And who doesn’t.

The writing is so spare and engaging, that it was easy to just race through the book. I wanted to savor the lines more. There’s a lovely line about Ajay feeling that he was at the bottom of the ocean - when he was feeling lonely in his room. And of course, I loved this line:
“For me, the two best things about America were television and the library. Every Saturday night I watched The Love Boat. I looked at the women in their one-piece bathing suits and their high heels and imagined what it would be like when I was married. I decided that when I was married, I would be very serious, and my silence would lead to misunderstandings between me and my wife. We would have a fight and later make up and kiss. She would be wearing a blue swimsuit as we kissed.” (p. 38)

Happiness, Like Water by Chinelo Okparanta (2013)


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A collection of short stories centering around Nigerian women as they build lives out of hope, faith, and doubt, following such characters as a young woman faced with a dangerous decision to save her mother and a woman in love with another despite the penalties. The ten stories range from being set in Port Harcourt to people dreaming of America to being set in America.

Okparanta’s writing is spare and lyrical--the stories are very readable. Her settings are vividly evoked from power outages to big oil to immigrant life in America. One of the most chilling stories evokes a girl and her mother trying to escape domestic violence, but are turned down for their lack of a visa. Beautifully depicts both the Nigerian experience and the experience of Nigerian immigrants. The author was born in Nigeria and moved to America when she was around 10 or so.

 Lovely dedication: “For home.”

The Mango Bride by Marivi Soliven (2013)


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This novel follows the stories of Amparo, banished to America from her wealthy Filipino family in Manila, and Beverly, a mail-order bride and the niece of Amparo’s faithful family servant and nanny Marcela. The novel wanders through time, exploring the lives of these women and of others in their families, and the different experiences they have both in the Philippines and in America.

 A fascinating depiction of life in Manila and the experience of coming to a new world—for very different reasons. One banished, one searching for a better life. Wonderfully depicts the community (and lack thereof) that each woman finds in America. When the two women, connected in so many ways, finally come face to face over a mango display in the local grocery, it’s a wonderful moment.

Soliven’s writing is wonderfully descriptive and vivid—you can see Manila perfectly through her eyes, from the wealthy estates (with two kitchens) to the seedy neighborhoods, to its pedi-cabs and its barbecue joints. Also, the descriptions of the food is so incredibly vivid and exotic. This is a wonderful read and incredibly absorbing. Soliven won the Palanca Award for the Novel, the Pulitzer of the Philippines. She came to America as an adult, though not as a mail-order bride—she accompanied her husband who was in grad school.

“There is nothing to understand, and everything to forget. That should be the immigrant’s motto.” (Aldo, page 44)