Pioneer Girl by Bich Minh Nguyen (2014)

Lee Lien recently earned her PhD in Literature but finds herself at home in the suburbs of Chicago, living with her mother and grandfather and helping out at the family restaurant. As she ponders her choices, and her errant brother runs away, stealing their mother’s jewelry, he leaves behind a pin that may or may not have belonged to Rose Wilder Lane, daughter of Laura Ingalls Wilder.

Lee’s attempts to discover the provenance of the pin as well as a secret adoption lead her to contemplating the similarities between her life as a second-generation immigrant and the life depicted in the Little House on the Prairie books. 

A literary mystery (although she’s a terrible detective with her penchant for stealing evidence) that unfolds across the Midwest all the way to California, there’s also a strong thread of understanding the parent-child relationship. The strangest thing about this book is that I kept having to remind myself that it is actually a novel and not a memoir. It feels SO much like a memoir, but very interesting and quite readable.

It's also a fascinating look at Lee’s family’s work in Chinese restaurants and buffets. First line:

 “In August 1965 a woman named Rose walked into my grandfather’s café in Saigon. That much is known. My grandfather would say that’s the beginning of the story. My mother would say I should have left it at that.” 

 “So much immigrant desire in this country could be summed up, quite literally, in gold: as shining as the pin Rose had left behind. A promise taken up, held on to for decades…” (p. 47) 

I love the cover’s take on a Lois Lenski illustration, but of a small Asian girl with sneakers on.

Some Kind of Fairy Tale by Graham Joyce (2012)

Have I mentioned my newfound love for Graham Joyce? Where has he been all my life?

Some Kind of Fairy Tale is a story about Tara, a daughter and a sister who went missing twenty years ago. Then one day, she shows up looking like she hasn't aged a single day. She says she was kidnapped by the fairies--what's the real story?

Joyce has a marvelously deft hand at blending fantasy and reality. He creates wonderfully vivid characters, from Tara's brother's 13-year-old son to the semi-retired (and pretty eccentric) psychiatrist Vivian Underwood. Plus, the POV beautifully shifts among characters telling each story perfectly and with so much character that you always know who's speaking.

Also, as a longtime fairy tale devotee, I LOVED all of the epigraphs that started each chapter from such excellent sources as Bruno Bettelheim, Charles DeLint and Terri Windling. And bonus, each epigraph actually relates to the chapter's contents. (It's amazing how often they don't in fiction.) I loved all of the talk of fairy tales, and all of the common threads that connect fairy tales, and how they are still so very relevant to our lives. Just lovely and now on my list of very favorite fairy tale retellings.

Honeymoon Hotel by Hester Browne (2014)

I love Hester Browne's work. She writes lovely, light, romantic and funny fiction. Her characters are fully developed and her relationships are realistic (and don't focus solely on the romantic ones, but all the relationships in our lives).

Rosie is a wedding coordinator (events manager) at a posh London hotel who organizes her life the way she does weddings. All is well and good until the son of the owners pops back into the picture with his California ways and shakes up her worldview.

Romance, light misunderstandings, work-life balance and professional fulfillment ensue. And romance, too.

As You Wish by Cary Elwes (2014)

Absolutely charming memoir about making The Princess Bride, subtitled "Inconceivable Tales from the Making of The Princess Bride."

A fun look at all the ins and outs of movie making, from casting to promotion, written with lots of love and fond memories. Memories by other cast members are interspersed within the narrative, lending a little different view to the proceedings. And who can ever get enough Andre the Giant stories?  Not me for sure.

Elwes is humble, grateful, and marvelously charming. Just adorable.

Sweetshop of Dreams by Jenny Colgan (2014)

I warn you: I'm about to use the word "sweet" WAY too many times. The word totally looks like gibberish to me now. But it's the perfect word.

Sweetshop of Dreams is a typically charming novel by Colgan, who used to write witty chick lit, but who has now taken to writing sweet (but not sickly sweet) novels set in various sweet locations (cupcake cafes, chocolate shops, and now a sweetshop). 

The story:  Rosie's mother asks her to go and visit her great aunt and sell her defunct sweetshop and pop her into a home. Rosie meets a whole bunch of interesting characters and finds her way to romance (leaving behind her non-committal, mama's boy, but sweet longtime boyfriend, who recovers quickly.) 

Very sweet. Not life-changing but full of wonderful characters, and lots of charming meditations on the emotional, nostalgic response that people have for sweets. As someone who definitely has those, it hit the sweet spot for me. (Hee.)

The Silent Land by Graham Joyce (2010)

I loved this book so much that I was searching for books by Graham Joyce before I'd even gotten halfway through this one.

From the beginning to the ending, this is a practically perfect novel--one that I wanted to prolong reading as I was enjoying it so much.

Jake and Zoe are skiing at a resort when they are caught in an avalanche. And the description of Zoe trapped under snow is one of the scariest things I've ever read. Ever. When they finally dig out and return to the resort, everyone is gone, and they can't seem to leave the village. Not only are they trying to figure out what's happening, they're also working on some issues in their marriage.

This novel is subtle and realistic, and beautifully done to the very last page. Everyone I've recommended it to has loved it as much as I have--about six people to date. Yay!

Horrorstor: A Novel by Grady Hendrix (2014)

Horrorstor is so cool, it should have its own theme song.

And yes, as you may have guessed from the cover, it's a horror novel set in the big-box semi-Swedish home furnishing retailer Orsk. The fabulous book design by Andie Reid hilariously replicates the iconic IKEA catalogs.  

Some strange things have been happening at the Orsk store and a few employees have been enlisted to stay after closing and keep an eye out. Another couple of employees are conducting their own ghost hunt and when they get together to have a seance, all hell breaks loose.  

In addition to the great, realistic characters, this novel has a great in-depth backstory that is beautifully supported by the book design.  And it actually had me at the edge of my seat--I was genuinely biting my nails to see if the characters would make it through.  Beautifully done.

If I Can't Have You by Gregg Olsen and Rebecca Morris (2014)

Subtitled Susan Powell, Her Mysterious Disappearance and the Murder of Her Children, this true crime book starts when the Powell family fails to drop off their children at day care. Their day care provider becomes worried, and a search for the family ensues.

Eventually the husband and children show up, but without the mother and the husband is acting most suspicious.  The characters in this book (particularly the husband's family) are as chilling and creepy as in any good suspense thriller. It's also a fascinating look at the complexity of marriage, the Mormon faith, and the tenacious struggle for Susan's family to find out what happened to her.

Despite the spoilery subtitle, this book is incredibly gripping, and one of the best true crime books I've ever read. I still get the creeps when I look at that book cover photo.

Not That Kind of Girl by Lena Dunham (2014)

Most actress's memoirs--particularly if they are comic in tone--I find a bit facile and uneven. They tend to be loosely strung together collections of anecdotes.

However, you have to hand it to Dunham:  She tells it like it is.  I love the subtitle: A young woman tells you what she's "learned". She tells it warts and all, no writerly airbrushing or image enhancement to make her sound better.  

She's amazingly insightful but also amazingly self-aware. I can't help but like and admire her. This was a wonderfully enjoyable book.  Also, there are little sketchings in the book that give it the feel of a midcentury book on etiquette or relationships--and at the end, you find out the artist is her good friend that she refers to through the book.  And it's funny:  

"When I was born I was very fat for a baby--eleven pounds (which sounds thin to me now).  I had three chins and a stomach that drooped to one side of my stroller.  I never crawled, just rolled, an early sign that I was going to be resistant to most exercise and any sexual position that didn't allow me to relax my back." 

How can you not love that?

The Harrowing by Alexandra Sokoloff (2006)

My bar for horror novels is pretty low.  But I can't resist a good ghost story/haunted house novel, so when this crossed by desk, I gave it a try.

Five students are left alone in their college dorm over the holidays, they get in touch with some scary spirits, and mysterious and spooky things begin to occur.

I was pleasantly surprised by how much I liked it. Sokoloff created rich and complex characters, and I like that the backstory and mythology was quite in-depth.  I have the attention span of a distracted gnat, but even after reading it six months ago, I can still picture some of the characters and settings.  

Must check out more of her work!  Yay, excellent horror novels by female authors!