"The Americans were always good at dying, but not death. Good at plot, but not fatalism. Good at cowboys shot down from the backs of horses, but not the finality of writhing in the dust. Good at the cars roaring lustily into each other as if no one were in them, but not the full horror of a boy hurtling into the rigidity of the steering column. Good at the beautiful Radcliffe heroine succumbing to cancer in her bed, but not the ugly business of the night nurse wiping her clean at two in the morning. What they didn't know is that you take the little glimmer of the truth of death when you see it, and then have the nerve to give it light."
What You See in the Dark by Manuel Munoz (2011)
The Weird Sisters by Eleanor Brown (2011)
"We were never organized readers who would see a book through to its end in any sort of logical order. We weave in and out of words like tourists on a hop-on, hop-off bus tour. Put a book down in the kitchen to go to the bathroom and you might return to find it gone, replaced by another of equal interest. We are indiscriminate."
Grand Opening by Jon Hassler (1987)
Remember Me by Lisa Takeuchi Cullen (2006)
Dangerously Funny by David Bianculli (2009)
Getting Rid of Matthew by Jane Fallon (2007)
Life Sucks by Jessica Abel, Gabe Soria and Warren Pleece (2008)
Just Kids by Patti Smith (2010)
"The Chelsea was like a doll's house in the Twilight Zone, with a hundred rooms, each a small universe. I wandered the halls seeking its spirits, dead or alive. My adventures were mildly mischievous, tapping open a door slightly ajar and getting a glimpse of Virgil Thomson's grand piano, or loitering before the nameplate of Arthur C. Clarke, hoping he might suddenly emerge....I loved this place, its shabby elegance, and the history it held so possessively....So many had written, conversed, and convulsed in these Victorian dollhouse rooms. So many skirts had swished these worn marble stairs. So many transient souls had espoused, made a mark, and succumbed here. I sniffed our their spirits as I silently scurried from floor to floor, longing for discourse with a gone possession of smoking caterpillars."
Audrey's Door by Sarah Langan (2009)
The Borrower by Rebecca Makkai (2011)
"These are the settings and main characters. We are nestled into our beanbags: let us begin. (Where's Papa going with that ax?" said Fern.)"More quotes I love:
"[Loraine Best, the head librarian] came downstairs some Fridays just to smile and nod at the mothers as they dropped them off, as if she had some hand in Chapter Book Hour. As if her reading three minutes of Green Eggs and Ham wouldn't make half the children cry and the others raise their hands to ask if she was a good witch or a bad witch."And of course:
"..and there were at least three stacks of books I personally loathed but held onto just in case someone asked me to loan them ....I'd hate to have to say that I knew the perfect book, but I'd just given it away. Not that people often asked. But once in a while my landlord, Tim, or his partner, Lenny, would invite themselves in to peruse the stacks and ask the world's best question: 'Hey, what do you think I should read?' It was nice to be prepared."A little librarian fun:
"Once a year all the librarians in the county wedged themselves into high heels, tried to pull the cat hair off their sweaters with masking tape, and smeared their lips with an awful tomato red that had gone stale in its tube, all to convince the benefit set of the greater Hannibal region that libraries do better with chairs and books and money."(See also chapter 8 for "If You Give a Librarian a Closet.")
"I am the mortal at the end of this story. I am the monster at the end of this book. I'm left here alone to figure it all out, and I can't quite. How do I catalogue it all? What sticker do I put on the spine? Ian once suggested that in addition to the mystery stickers and the sci-fi and animal ones, there should be special stickers for books with happy endings, books with sad endings, books that will trick you into reading the next in the series."
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